I must admit, that this book has dusted off many of the memories of the kind of history the American Hispanic modern, I gave with my teacher Ángel Sanz Tapia. Taking a forced vacation until the second week of September. I would also like to express my thanks to Mr Jorge Reyes, because thanks to your requests encourage me to write, or at least try to write this critique concluded the fatal period of 13:30 and have to leave work. , but it seems that in place of the 'myth of Cortés ' ordered this instead of the other, tree of the letters. Vélez at the beginning he had said, that he would write a critique of his book 'the myth of Cortés'. Another thing I should do is apologize to Mr. It is good that thanks to the interdisciplinary nature of science we can count on as beneficial as this aid.

& from_review_page = 1 Velez with his books has done a great favor to the social science of history. Be the second criticism is that I already gave one touches close to Iván Vélez an architect, who has a huge knowledge, as demonstrated in his book of 'about the black legend'. At the end, and after all, I promised my friend on Goodreads Jorge Reyes, that I would try to write this review today, and this step try to give a pleasant surprise to Iván Vélez. The primary aims of the paper are to juxtapose Flaubert’s mentality models with those in The House of Ulloa, consider the specificity of the bovarist model as shown in the classic as well as to demonstrate that this peculiar take on the Emma Bovary syndrome enriches the symbolic dimension of the novel and represents the symptomatic state of mind of the Spanish at the end of the 19th century.Ladies and gentlemen I don't know if it will give me time, but I will try to exploit, as well as the Cortes in the conquest of Mexico. The comparatist perspective of the present study required a closer look at some elements of the diegesis: space, customs represented by the secondary characters and the inner world of the main characters. Although some of its characters show direct affinity with the bovarist psychological model, this particular aspect of the novel –a masterpiece of the 19th century Spanish literature – has not yet been researched, even within the Spanish-speaking literary criticism.

The House of Ulloa is considered the most significant work of Emilia Pardo Bazan, who is said to have introduced Zola’s naturalism into the Spanish narrative.

Sobre la leyenda negra by Iván Vélez